The eBook conversion is finally done! It took longer than expected because we added a bunch of links that make it easier to cross-reference topics and view the book’s 300+ images. If you buy the eBook now you’ll get a super deal – we’re still testing and tweaking the webstore, and getting a bunch of […]
New Ableton Live Book
I’ve been hard at work at the new edition of Ableton Live Power! since the day I could get my grubby little hands on a beta version of Live. It’s finally available for preorder, and I’m thrilled that it’s been the #1 new release in two categories on Amazon since it got listed. I’m really […]
LP Grit Filter
A simple audio effect rack for use with the updated Live 9.5 Auto Filter. Because the new filter models offer overdrive and a lot of character, I’ve wrapped up a couple of features I commonly need: Increasing the filter drive is automatically volume compensated so you can add grit without changing level A Balance control blends in a […]
Building The Mix Room, Pt. 1: WHY?
For the last month or so, I’ve been busy putting together a studio dedicated to mixing. This has cost quite a bit of time spent researching, buying, and configuring gear, and more time spent building and installing acoustic treatments and figuring out ergonomics. And yeah, it cost a bunch of money too. I’m still not […]
SHOULD I MIX IN ABLETON LIVE? THE GOOD, THE BAD, AND THE GLITCHY
A couple of years back, I stopped mixing in Live. This started as a workaround for performance problems I was encountering, but turned out to have a great creative benefit as well. People are sometimes surprised to hear that my studio life isn’t entirely Live-centric. Well, for a number of years it was. When Live 7 […]
USING PUSH TO STEP SEQUENCE BASSLINES AND LEADS
After folks spend some time step sequencing drums with Push, they usually do a little chicken dancing and fist pumping. Once they get that out of their systems, however, a troubling question arises: “how do I do this with melodic parts?” The answer, strictly speaking, is: you can’t. However, the better answer is: with science! […]
LISTEN TO THE STEREO STUFF
As I’ve mentioned in prior tips, the Utility device can be used to remove all of the mono information from a signal so you can hear the purely stereo information. Just set Width to 200%: Something I like to do is listen to my reference tracks at 200% just to get a sense of how […]
MIX LOW, pt. 2
I’m not a digital audio expert, but I read up on it a fair amount and do my best to understand it. I’ve come to the conclusion that headroom is a valuable resource at every point in the mix. This means I’m keeping an eye not just on the master fader but also on the […]
COMPRESSOR: THE INSERT A SIGNAL ANYWHERE-ERIZER
We’re still talking about mastering here, but this tip includes a cool technique that you may find other uses for.. When I’ve inserted my mastering chain into the mix, I sometimes like to use Spectrum to have a look at the difference between my mix and the track I’m referencing. This presents an interesting problem. […]
MASTER IN THE MIX, pt. 2
As I’ve mentioned a couple of times, I find that applying mastering processing to a nearly completed mix can help draw attention to flaws in the mix. In particular, I sometimes find peaks in individual tracks, overly dense sections of the mix, or errant low frequencies that sound fine until I try to squash the […]